Indigenous Sovereignty and Resilience in Moon of the Crusted Snow

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The novel Moon of the Crusted Snow by Waubgeshig Rice presents a post-apocalyptic scenario in which a widespread infrastructure collapse disrupts colonial society. Rather than framing this event as universally catastrophic, the narrative positions it as an opportunity for an Anishinaabe community to reassert indigenous sovereignty. This essay examines how the text portrays colonialism’s historical effects on resources, leadership, and cultural identity, before considering the ways in which traditional governance and land-based knowledge enable resilience. The discussion draws on the provided thesis that the blackout functions as a liberating catalyst, allowing the community to reclaim collective practices and demonstrate endurance independent of external systems.

Collective Resource Management versus Individualistic Collapse

Colonial infrastructure failure first manifests in nearby towns, where the absence of power and supply chains quickly produces violence and hoarding. A refugee from one such settlement explains the situation: “The food’s all gone. The power’s out. There’s no gas. There’s been no word from Toronto or anywhere else. People are looting and getting violent. We had to get the fuck out of there” (Rice, 2018, p. 175). The statement underscores a pattern of atomised survival in which cooperation dissolves into competition. By contrast, the Anishinaabe reserve maintains order through shared access to land-based provisions, thereby illustrating the thesis that the crisis liberates rather than destroys.

A second episode reinforces this distinction when the outsider Scott proposes cannibalism. Community members respond with rejection: “Did you steal a body?” followed by the assertion “We care. These are our relatives” (Rice, 2018, p. 205). Scott’s utilitarian logic represents the colonial mindset that treats bodies and resources as commodities. The reserve’s refusal to adopt this stance preserves moral cohesion and demonstrates that resilience stems from relational ethics rather than ruthless pragmatism. Consequently, the novel shows how indigenous sovereignty restores collective stewardship over resources that colonial individualism had undermined.

Restoration of Consensus-Based Governance

The blackout also severs lines of communication with external authorities, exposing the fragility of colonial administrative structures. One character observes: “Terry muttered, resting his face in his hands. ‘We’re in a crisis and everyone’s survival depends on cooperation… It has to be done. Eventually, they’ll get used to it’” (Rice, 2018, p. 95). The remark reveals an implicit critique of imposed hierarchies; survival hinges on mutual aid rather than directives from distant centres of power. In place of these structures, the community revives elder-led consensus, thereby realising the sovereignty identified in the thesis.

Earlier attempts to suppress traditional practices had forced knowledge underground. The text notes: “But people like Aileen, her parents, and a few others had kept the old ways alive in secret. They had held out hope that one day their ways would be able to reemerge and flourish once again” (Rice, 2018, p. 143). The cessation of colonial oversight permits this submerged knowledge to surface openly. Governance therefore shifts from bureaucratic external control to localised, culturally grounded decision-making, confirming that historical assimilation failed to extinguish indigenous political capacity.

Generational Transmission of Ancestral Knowledge

The crisis further compels a deliberate turn toward ancestral skills and language, countering the cultural erosion produced by generations of colonial intervention. An elder remarks: “But we always survived. We’re still here. And we’ll still be here, even if the power and the radios don’t come back on and we never see any white people ever again” (Rice, 2018, p. 150). The statement reframes collapse as continuity rather than rupture, anchoring identity in the land itself rather than in technologies supplied by settler society.

Practical instruction follows: “There had been no electricity in this community when she was a child, and parents sometimes brought the young ones to her to remind them that life was possible without the comforts… Now it was critical they learn how the old ones lived on the land” (Rice, 2018, pp. 148-149). Teaching becomes an act of reclamation, transmitting embodied knowledge that colonialism had marginalised. In doing so, the community enacts the resilience described in the thesis by converting potential vulnerability into cultural renewal across generations.

Conclusion

Moon of the Crusted Snow depicts infrastructure collapse as an event that exposes the limitations of colonial systems while simultaneously enabling indigenous resurgence. Through collective resource use, revived consensus governance, and intergenerational knowledge transfer, the Anishinaabe community asserts sovereignty that predates and outlasts settler frameworks. The novel therefore challenges apocalyptic conventions by presenting resilience not as mere endurance but as the active reclamation of land, leadership, and cultural identity. This portrayal offers a nuanced literary exploration of how indigenous nations may transform external crises into opportunities for self-determination.

References

  • Rice, W. (2018) Moon of the Crusted Snow. Toronto: ECW Press.

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Introduction: Metaphysical poetry was firstly coined by the English writer Samuel Johnson basically to define lyric poets. John Donne and George Herbert are the important poets and pillars of the English literature in seventeenth century.Metaphysical poetry is a literary term coined by Samuel Johnson.It has its roots in 17th century England. Metaphysical poetry deals with the concept of love, faith, soul, death, and God. It uses arguments and logic instead of emotion or passion. This type of poetry deals with the psychological concepts of love, religion, and faith. Donne is called the chief of metaphysical poetry and his poetry is filled with metaphysical conceits as compare to George Herbert that is to a lesser extent as we can see the resemblance of George Herbert poem with donne’s poem it includes the similarities of common language in their poems in the rythms of speech for example the poems “ The Altar” and “Easter Wings” Their poetry was characterized by style, imagery, intellectual complexity and it is the blend of emotion that is charcaterized by wit. The comparative analysis of the poets John Donne and George Herbert will help us explore themes, use of metaphysical conceits, philosophical ideas, the use and concept of imagery, symbolism in poetic language. Major themes and concerns: Firstly, the poems of john Donne and George Herbert are different from one another as we see different themes in these poems. John Donne’s poem focuses on love themes such as a love of a beloved. The lovers are experiencing their love out of the world where no one can interfere or disturb their existence for example in the poem “ The sun rising” the speaker is against the sun rising on him and his beloved as he thinks that no one can disturb them not even the sun. The lovers are so in love that nothing else matters. Donne’s poem also addresses themes of death and faith that is reflecting the personal experiences. Where as the poem of George Herbert focuses on the themes of spirituality. His poems are often written for religious purposes involves the religious themes and practices. For example, in the poem Altar, the word Altar has been used as stone heart, representing the personal experiences and offerings of himself as a sacrifice to God and in the poem “The Priesthood” it describes the importance of holy men. It shows that how a priest is said to have direct contact with God describing the purity of priest. The writings of John Donne and George Herbert differs in a way that George Herbert accepted the concept that everything in nature is created in a simple way without questioning things and wrote the poetry that was simple according the previous rules while on the other hand we see the concept of John Donne was completely different he used to question things before writing he used to question things about humanity and nature he used to bring new theories and philosophies in his poems. Moreover, Donne sees death as defeat and challenge whereas Herbert view it as peaceful journey to God and the life hereafter. Use of metaphysical conceits: A metaphysical conceit is a generally a literary device such as metaphor and simile. It is used to analyze and describe the sensory information of the reader as it is used by the poets of 17nth century such as John Donne and George Herbert. Metaphysical conceits basically involve comparing things that are different from each other using various kinds of comparisons. Metaphysical poetry is a special branch of poetry that deals with an educational method and use of intellect and emotion in a peaceful manner. The most famous metaphysical poet was John Donne, he used to write about love, religion, and used to write new philosophical ideas. George Herbert was greatly affected by Donne. His work is marked by metaphysical conceits. In one of his poem “prayer” is called the spiritual feast. In George Herbert’s poem there are unique circular images the imperfect nature of love between human and divine God. While we see that John Donne poems are philosophical, reasoning, and logical. The use of metaphysical conceits are very common in John Donne’s poems and we find unique features of conceits in his poetry. Firstly, strange effect and new perspective in his poems, then we see common image, special kind of emotion. Some images can be found in the poetry but they are equipped with different colors of emotion. Donne plays an important and creative role in adding new meaning to the original image. For example, the sun as it brings light and heat to the earth and provide energy for the growth of living organisms but in his poem “ The sun rising” the sun has been declared as busy old fool and harsh sun. This shows that same sun has different meaning for the same word. The poem Flea by John Donne which is published in 1633 is a passionate metaphysical poem in which the concept of flea serves as an extended metaphor for the relationship between speaker and the beloved as in comparison the George Herbert’s poem, “The Altar” also published in 1633 illustrates the conceit of an Altar that how one should sacrifice himself to the lord. Both poets present the different ideas by using of poetic device as in the poem “ The Flea” the metaphysical conceits began when the poet say ‘And in his flea, our two bloods mingled be’. The metaphor suggests that the speaker believes the mixing of two bloods is similar to devotion of marriage. The speaker uses direct address when he says ‘how little that which thou deniest me’ here little word shows how he is trying to convince his lover. In contrast, the speaker in The Altar, is confused as Herbert refers a servant which shows that anybody could be speaking whether it is the poet, reader or anyone else. It is important that how John Donne and George Herbert have a distinct contrast in how they use religious as a theme to know the meaning of the poems.

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