The Natural State of Man: A Critical Analysis of Steven Spielberg’s Amistad

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Introduction

Steven Spielberg’s 1997 film Amistad dives into the real events of the 1839 slave ship revolt and the big legal fight that went all the way to the United States Supreme Court. This essay will critically analyze the movie by looking at its main point, how it tries to convince viewers, and its take on history. Set in a time when America was splitting over slavery, the film pushes a strong message about freedom being natural for all people. It is sympathetic to the African captives but harsh on the politicians like those in the Van Buren administration. The analysis will cover the film’s point of view, key scenes with historical checks, comparisons to real history sources, and my own thoughts on its value. Drawing from US history studies, this piece aims to show how Amistad mixes facts with drama to teach about slavery’s horrors, aiming for around 1500 words including references.

The Primary Point of the Film and Its Persuasive Approach

Others might think Amistad is just a story about a slave revolt, but if you look closer, it’s much more about the idea that freedom is the natural state for every person. The movie is very sympathetic to the captured Africans, showing them as brave fighters for their rights, while it’s critical of the American leaders who twist laws for politics. For example, it paints President Van Buren as someone who cares more about votes than justice. The film tries to persuade the audience by using strong images of suffering and big speeches that hit on emotions, making viewers root for the captives’ freedom.

To understand this, you need the background. The Amistad revolt happened in 1839 when enslaved Africans on the Spanish ship La Amistad took over near Cuba and ended up in US waters. This led to a court case about whether they were property or free people, going up to the Supreme Court in 1841. The US was tense then, with abolitionists fighting slavery and the South holding on tight. Spielberg made the film in 1997, during talks about race and rights in America after civil rights moves (Jones, 1987). He uses this setting to push anti-slavery views, citing the Declaration of Independence to argue freedom over property laws. Historically, the case did challenge slavery, as noted in court records, but the film amps up the drama to make its point stick.

The Movie’s Point of View, Plot, Tone, Theme, and Primary Characters

The film’s point of view is clear: it criticizes the slave trade and political games that ignore human rights, while being positive about the fight for freedom. It’s sympathetic to the Africans, showing their pain and strength, and uses a tone of serious moral push, sometimes with ironic humor in the court scenes to mock the system’s mess. The theme focuses on “finding a voice,” meaning both literally needing translators and figuratively making sure oppressed stories get heard. My thesis is that Amistad sees freedom as a basic human right that beats out laws treating people like things.

The plot follows Cinque and other Mende Africans captured, shipped on the Tecora, then revolting on the Amistad. They get caught in the US, and lawyers like Roger Baldwin and John Quincy Adams fight for them against claims from Spain and the US government. The tone is intense and hopeful, building from dark ship scenes to courtroom wins. Main characters include Cinque, the strong leader who represents African dignity; Baldwin, the clever lawyer who grows from money-focused to justice-driven; and Adams, the wise ex-president who gives a big speech on rights. These folks carry the message that anyone can stand up for what’s right, no matter the odds.

Analysis of Historically Significant Scenes

Just like in real history, Amistad uses key moments to build its case. Here, I’ll look at three major scenes that back the film’s view on freedom over slavery, checking their accuracy with sources.

Scene 1: The Middle Passage Flashback

One big scene is the flashback to the Middle Passage on the Tecora, showing the brutal trip from Africa. Accuracy of characters: The Africans are shown as diverse, with Cinque as a farmer turned leader, which matches historical accounts of Mende people being warriors and farmers (Rediker, 2007). But the film simplifies some backstories for drama. Setting accuracy: It’s dark, cramped holds with chains and sickness, true to records of ships packing slaves tightly, often in spaces under five feet high (Eltis and Richardson, 2010). Sequence of events: It shows captains throwing slaves overboard to save food, which did happen in trades, like the Zong case in 1781, though not proven exactly on Tecora. The film’s evidence uses survivor tales, similar to real logs. This scene supports the movie’s point by contrasting human suffering with trade cruelty, pushing sympathy for the captives and criticizing the system.

Scene 2: The Revolt on La Amistad

Another key scene is the nighttime revolt where Cinque and others break free and kill crew members. Accuracy of characters: Cinque is portrayed as a fierce warrior, aligning with reports of him as a rice farmer with leadership skills, though the film adds heroic flair (Jones, 1987). The Spanish owners are shown as harsh, fitting trader descriptions. Setting accuracy: The ship off Cuba at night, with storms and confusion, matches the actual 1839 events near Havana (Barber, 1840). Sequence of events: They use a nail to escape, fight with cane knives, and spare two Spaniards to navigate, which is mostly accurate from trial testimonies, but the film ramps up violence for impact. Evidence in the movie draws from court documents, like affidavits. This contributes to the film’s view by showing the Africans as freedom seekers, not criminals, reinforcing that rebellion is natural against oppression.

Scene 3: John Quincy Adams’ Supreme Court Argument

The climax is Adams’ speech to the Supreme Court, arguing for the Africans’ freedom. Accuracy of characters: Adams is depicted as elderly and principled, true to his role as an abolitionist ex-president who did argue the case (Nagel, 1998). Cinque is there symbolically, though historically he wasn’t in court much. Setting accuracy: The grand courtroom in Washington, with judges and crowds, reflects the 1841 setting, though the film adds dramatic lighting. Sequence of events: Adams quotes the Declaration and attacks slavery, which he did, but the speech is condensed and jazzed up; real arguments focused more on treaties (United States v. The Amistad, 1841). The movie uses historical texts as evidence but simplifies. This scene boosts the point of view by making freedom a moral win, criticizing political interference like Van Buren’s.

Comparison to Historical Sources and Assessment of Accuracy

Comparing Amistad to history books I’ve read in US history courses, like Foner’s Give Me Liberty!, shows it’s pretty accurate on big points but takes liberties for story (Foner, 2014). For instance, the revolt and trial basics match primary sources like the Supreme Court decision, which freed the Africans based on illegal capture (United States v. The Amistad, 1841). But the film invents details, like Adams meeting Cinque personally, which didn’t happen, to build emotion. Textbooks note the case highlighted slavery tensions but didn’t end it, unlike the movie’s triumphant tone.

As history instruction, Amistad is useful for showing the slave trade’s brutality and legal fights, making abstract ideas real through visuals. However, its changes could mislead on specifics, like overplaying Van Buren’s role for drama. Sources like Rediker’s The Slave Ship confirm the horrors, so the film teaches well if watched with facts (Rediker, 2007). Overall, it’s accurate enough for undergrad learning but needs fact-checking.

Personal Reaction, Conclusions, and Broader Implications

Watching Amistad, I felt a mix of anger at the injustices and hope from the victories, which fits my US history studies on how slavery shaped America. The film’s strong push for human rights made me think about ongoing fights for equality today. Who might benefit? Students learning about abolition, or anyone interested in race history, as it sparks discussions without being too dry. Overall, the historical arguments are solid on slavery’s wrongs but weaker where it bends facts for persuasion. In conclusion, Amistad persuasively argues freedom’s natural state, using accurate cores with dramatic touches, making it a valuable but not perfect history tool. This analysis shows its strengths in teaching empathy while noting limits in full accuracy.

(Word count: 1528, including references)

References

  • Barber, J. W. (1840) A history of the Amistad captives. E. L. & J. W. Barber.
  • Eltis, D. and Richardson, D. (2010) Atlas of the Transatlantic Slave Trade. Yale University Press.
  • Foner, E. (2014) Give Me Liberty! An American History. W. W. Norton & Company.
  • Jones, H. (1987) Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy. Oxford University Press.
  • Nagel, P. C. (1998) John Quincy Adams: A Public Life, a Private Life. Harvard University Press.
  • Rediker, M. (2007) The Slave Ship: A Human History. Viking.
  • United States v. The Amistad (1841) 40 U.S. 518, Supreme Court of the United States.

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